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This Morning’s Thought – Linda Scott

May 17, 2019

We songwriters are a strange lot. We often wake up in the morning with some tune swirling around in our head like a smoothie in a blender. This morning I sprang reluctantly into action as I got out of bed because a song from long ago was haunting me. The song? “I’ve Told Every Little Star.”

This song took me back many decades to 1961. I remembered it very well or so I thought. I began singing it as I was making breakfast. The words came easy but I could not remember who sang it. Thank God for the internet! I scurried into the den and looked the song up. Yes, of course, it was Linda Scott who released the song in 1961. But as I read on, I was in for a bit of a re-education.

Linda Scott was born Linda Joy Sampson on June 1, 1945 in Queens, New York. She was an American pop singer and actress who was active from the late 1950s to the early 1970s. Her biggest hit was the million-selling single, “I’ve Told Every Little Star.” She went on to score twelve songs on the charts over the next four years, the last being “Who’s Been Sleeping In My Bed,” inspired by the film and written by Hal David and Burt Bacharach. In 1962, she portrayed a fictionalized version of herself in the musical film Don’t Knock the Twist. I was familiar with most of this background and knew that she had recorded “I’ve Told Every Little Star” when she was only sixteen years old.

Here are a few things I didn’t know. Linda initially auditioned for the popular  Arthur Godfrey CBS Radio show in 1959 when she was only 14 years old. She continued to be a regular on this show for some time where she came to the attention of Epic Records. Her first recording was the single “In-Between Teen,” in which she used her birth name, Linda Sampson.

Though she was still in high school, in 1961 she signed with Canadian-American Records, which had a big hit with the Santo & Johnny’s “Sleep Walk”. The label changed her performing name to Linda Scott, producing and releasing “I’ve Told Every Little Star.” Most teenagers were not aware then that the song was a standard written by Oscar Hammerstein II and Jerome Kern for their 1932 production Music In The Air. The track sold over one million copies, earning a gold record for Scott. Not bad for someone fresh out of the starting gate!

Scott’s three biggest hits came in that first year, with “I’ve Told Every Little Star” (U.S. #3), “I Don’t Know Why” (U.S. #12), and “Don’t Bet Money Honey” (U.S. #9). The first two were standards, while the third was one of Scott’s own compositions. I am partial to the latter as I like songs that were written by the recording artist. In 1963, American Bandstand signed Scott to Dick Clark’s Caravan of Stars national U.S. tour which was scheduled to perform its 15th show on the night of November 22, 1963 at the Memorial Auditorium in Dallas, Texas. The Friday evening event had to be cancelled moments after U.S. President John F. Kennedy was assassinated that same afternoon while touring Dallas.

Scott’s final U.S. chart appearance was “Who’s Been Sleeping In My Bed,” released in January 1964, the same month that The Beatles made their first chart appearance. In 1965, she became a cast member of the variety show Where the Action Is, which she co-hosted with singer Steve Alaimo. Her last U.S. recording, “They Don’t Know You”, was released in 1967 on RCA Records. She continued to record as a backing vocalist (most notably on Lou Christie’s 1969 hit, “I’m Gonna Make You Mine”) before finally quitting the business in the early 1970s.

In listening to “I’ve Told Every Little Star,” I always heard the second verse as, “I’ve told fishes in the brook just how sweet I think you look.” To my surprise, the actual line turned out to be, “I’ve told ripples in the brook, made my heart an open book….” This phenomenon is called mondegreen, a misunderstood or misinterpreted word or phrase resulting from a mishearing of the lyrics of a song. For a further look into mondegreens, see my post: The Big Fat Train To Georgia located here:

According to an interview that Scott gave in 1987, she was an army laboratory technician for two years, stationed in Fort Sam Houston, Texas, and received a degree in Theology from Kingsway Christian College and Theological Seminary in Des Moines, Iowa.  During her time in the army, she met and married a fellow serviceman John William Urbach. The marriage  ended in divorce in 1977 but produced a child in 1973. She later taught music at the Christian Academy in New York City.

Here is the original recording of Linda Scott’s “I’ve Told Every Little Star:”

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From → America, Music, Poetry, Writing

  1. ellem63 permalink

    A nice catchy melody. ☺

    Liked by 3 people

  2. She has a sweet voice. I wonder why she gave up her singing/recording career?

    Liked by 2 people

  3. Una biografia davvero minuziosa di una personaggio poliedrico che non conoscevo Quindi grazie grazie grazie.

    shera 🎶🎶🎶🎵🎵

    Liked by 2 people

  4. Not sure I remember that particular – charming – song but the sound is so much the music of my parents and my childhood. 🙂 Those baby boomers knew how to put a song together.
    Thanks for the memories.
    Ciao, ciao.

    Liked by 3 people

    • Thanks for dropping by. Your comments are always appreciated. I am one of those “boomers” who wrote songs in the 1970’s. They were great times for us writers as well.

      Liked by 2 people

      • You wrote songs in the 70’s? Wow. Any one in particular?
        A songwriter, Alden Schuman was very important in my professional life. He was my client in market research, working for GM. I did European-wide research for him. Before I presented results, he would slash down my text to the essential, saying: “Look, you can say the same thing with half the words. And he was right. (Also wrote songs for Diana Ross.)

        Liked by 2 people

  5. Equinoxio – I did not know Alden well but I understood that he died in 2002. I have been an active songwriter since 1973 with over 200 songs to my credit. I mainly wrote for female recording artists and country groups. You may have heard (or not): Cotton Candy Dreams, Sand Castles, Geri’s Song, Loving Your Tears Away, Be Kind To Yourself, Love Someone and By and By. I was also a “lyric fixer” for film and popular music. I wrote a book about my 1970’s lyrics which can be found here:

    BTW – Alden was right. Songwriters and poets can condense text considerably as we worked with the “3:20” rule (maximum play length for a 45 record).

    Liked by 1 person

  6. Articolo molto interessante e canzone piacevolissima.

    Liked by 1 person

  7. Gary Richardson permalink

    It’s funny that her original recordings are not available on Spotify but it’s no issue that YouTube can stream them. What’s that all about? It leaves a hole in my Hits of 1961 playlist.

    Liked by 1 person

    • Spotify is pay to play while YouTube can offer content with copyright rules exclusion based on “educational ” reasons known as “creative commons.”

      Liked by 1 person

  8. Gary Richardson permalink

    It’s amazing to me that this song can be heard almost everywhere except Spotify. I would like to know why and not from Spotify, but in her own words. My playlist from 1961 will get along without her but it would be nice to have her tunes back.

    Liked by 2 people

    • Agreed. There are often licensing issues that we mere mortals are not aware of.


      • Gary Richardson permalink

        Thanks for that. I can add Marvin and Johnny’s, “Cherry Pie” to that list too.

        Liked by 1 person

  9. Reblogged this on allenrizzi and commented:

    This morning’s thought…


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